That said, WOW! Wowee wowee wow wow. Didja see when the smoke monster…? And he shot Desmond…? And Locke looking all…? And Miles & Hurley going all Han & Chewy on us…? And Dan! Poor Dan. Poor Ellie. Poor everyone. It’s so not going to end well. At least Des is on the mend and looks like he’ll be OK. For now. (*insert ominous music here*)

Season 5 of Lost is now and forevermore to be known as the Greek Tragedy Season™. And it’ll be even more of a tragedy for me if I don’t start tearing through the last few episodes.

But don’t panic. Base eight is just like base ten really…if you’re missing two fingers. Shall we have a go at it? Hang on.

I know that the above quote from dear Mr. Lehrer doesn’t really apply so much except for the “Hang on” sentiment, except perhaps in that, throughout the present-day narrative in “Dead Is Dead,” Ben was starting to show us a side of himself that we’d rarely seen: the side that has a problem he’s not sure how to solve. In fact, harking back to “He’s Our You,” Post-Donkey-Wheel-Turn Ben has if anything been someone giving the appearance of fighting the future. Granted, he’s using a very advanced toolkit of skills and resources that allows him to improvise better than some people’s best-laid plans, and he’s fighting with the tenacity of an animal in a trap willing to gnaw off its own leg, but the fact remains.

In the grandest of Lost traditions, “Dead Is Dead” has re-contextualized previously-seen events, making us see them in a whole new way. From his reveal as the leader of the Others at the end of Season 2 to Ms. Hawking dressing him down in “The Lie,” Ben Linus looked like one of The Major Players in the grand game at the heart of the show. But the cracks in that façade started becoming more and more obvious as time went on…and around…and twisted back on itself…and, well, you get the idea.

But now…now we see it differently. We see Ben chastising Widmore for being too seduced by the perks of being The Other Lama™ only to become, if anything, even more seduced by them in the post-DHARMA era than Widmore likely ever was. Don’t get to literal in assessing the story of Alex as pertains to Ben’s life. When Smokey was showing him that montage (and, by the way, does Smokey moonlight as the background in inane political commercials for wingnut groups? Just askin’…), it wasn’t that Alex’s life was being held as more valuable to the Island than anyone else Ben ever killed, cheated, tricked, or lied to. It was that the story of Ben’s adoptive…OK, larcenous…fatherhood of Alex was indicative of lost humanity.

Ben went from sparing Rousseau’s life and adopting young Alex to being the doting father and faithful Island steward to being willing to sacrifice teenage Alex like a piece on a chessboard. He’d come to value his position and power more than the life of the person closest to him in the entire world. And even then he didn’t get it, choosing not to atone but to compound the wrong by storming down the path of vengeance, willing to take the life of someone who’s never done him a single wrong rather than admit his own complicity in Alex’s death.

It seems that the Island needs its leaders to be able to make hard decisions and do dirty work, but it also needs them to retain their sense of compassion for their fellow human. Why else would the knife be such a deeply wrong choice in the Other Lama Test™? The seed of that humanity remains, as witnessed by Ben’s hesitation to kill Penny Widmore when her golden-haired moppet showed up saying, “Mommy?” And I suspect that this is the only reason that Ben wasn’t killed outright by Smokey the way Eko was at the end of “The Cost of Living.”

And his penance of serving Locke faithfully with a great, big, bolded, italicized, all-caps OR ELSE? Priceless. The Island won’t have any of this self-preservation or -aggrandization. Oh, no, you have to give big, bad Papa Island everything—your pride, your faith, even your life.

You’re the largest liar that was ever created. You and Pinocchio are probably related!

Now, I don’t know if you’ve read your Dante, but the Ninth and lowest Circle of Hell was reserved for traitors and betrayers. And Ben’s betrayed everyone at every turn. He betrayed his father (who admittedly kind of deserved it) by killing him, he betrayed his extended DHARMA family by helping plot their slaughter, he betrayed his leader (Widmore) by mutinying, he betrayed the Island by going off course in so many ways, he betrayed Sayid by cutting loose after making an assassin of him, he betrayed both Locke and Juliet so many times it’s not even funny, and then he betrayed the Island again by coming back when he wasn’t supposed to.

Even despite the admonition…and threat…from Smokey-as-Alex, can anyone really think that he isn’t going to turn around and betray everyone (but especially Locke) again before all’s said and done?

What’s more, what always seems to lurk behind the betrayal is the raw, festering wound that was young, Roger-abused Ben. Think back to his tantrum to Juliet as Ben pettily showed her Goodwin’s decaying body, his petulance as he turned the Frozen Donkey Wheel, his “nyah-nyah” attitude anytime he’s one-upped someone.

The only conclusion I can draw is that Ben, for all his intelligence and endurance (I mean, the man spends most of his time in a state of recovery from being beaten to within an inch of his life, doesn’t he?), is like a child with a toy. Big, bad Charles has what I want. WAAA! Mean old John and Richard want to take my magic box away. WAAA! I’m being sent to my room (the outside world) for being bad. WAAA!

The ultimate tantrum/betrayal of wounded-child Ben can only be yet to come — probably as Ben tries to either a) ingratiate himself with the “Shadow of the Statue” people and/or b) destroy same from within — and you don’t want to be anywhere nearby when it happens.

Gimme head with hair…long beautiful hair. Shining, gleaming, streaming, flaxen, waxen!

OK, I have to ask. Are the hair & makeup people on Lost having an extended joke at our expense? I mean first, we get Jack’s chin-badger. Then we get the Michael Emerson in the ludicrous rug pictured to the right. And Alan Dale in a piece that looks to me eerily like a more “salty” version of my departed father’s kinky salt-n-pepper ‘do. The rest of the time, Lost’s actor image enhancers seem to do such a good job, too.

At least Dale got a stand-in to play his younger Widmore of Arabia self. And Fionnula Flanagan got no less than two stand-ins for various points along her personal history as Eloise “Don’t Call Me Ellie” Hawking.

But we’re actually supposed to buy Emerson as a twentysomething. I mean, the guy’s an amazing actor and all, but at this point I’m surprised they didn’t try to have him play tween Ben as well just to mess with us.

And the second we see Desmond in a novelty nose, glasses, and mustache, I’m taking a hostage.

Right before your eyes see the laughter from the skies and he laughs until he cries, then he dies, then he dies. Come inside, the show’s about to start, guaranteed to blow your head apart!

But the centerpiece (as opposed to the hairpiece) of the episode was the Ben & Locke Show, which has now taken a dramatic reversal. Suddenly, Ben’s mojo is completely gone with his former dupe, John Locke. He can still work a yokel like Caesar without difficulty (alas, poor Ceasar, did we hardly know ye?), even sow the seeds of doubt with no less a Ben-skeptic than Sun.

But rain-divining, Island-attuned, fully faithful Messiah Locke is having none of it, and is going to make a truth out of Ben’s probable lie that he came back to be judged for his misdeeds. And along the way from watching Ben’s waking eyes bug out over seeing him, the resurrected Locke played an oddly ascendant Virgil to Ben’s Dante, out to strip away all of Ben’s self-deception and ensure that the Island actually did get its chance to judge its former Anointed One.

From continued needling about Ben’s notion to engage in the New Otherton (née Dharmaville) “pharisee” life, to reminding Ben that all his manipulations have left him alone, to rubbing Ben’s nose in his previous treatment of Locke, to the repeated hints that Locke was “something [Ben] can’t control,” to ultimately driving home the point that it was no one’s fault but his own (well, and Keamy’s) that Alex was killed. The canary in the coal-mine of Ben’s soul was dead because the toxicity had gotten too high.

But it was Smokey in the guise of Alex who ultimately got through to Ben, laying bare his intent to kill Locke anew and assigning him that most humiliating of atonement: serving the very man he’s manipulated perhaps more grossly than anyone faithfully.

Let’s be completely clear about this. Somehow, Ben thought he could challenge destiny. And he got farther than anyone else…you don’t see Widmore back on the Island, after all. He still failed, just like everyone else has this season, and Locke finally gets to be the Other Lama™, even if it ends up being a comparatively short reign.

And speaking of John Locke, I’m going to part company with anyone theorizing that he’s now an Island manifestation a la Christian Shephard or Yemi. When he says he’s “the same man [he's] always been,” I believe him. He’s just unbound by all the things that prevented him from being the Island’s perfect instrument. His anger, his daddy issues, his need for a self-aggrandizing destiny. I think they’re all gone. I’ll grant that he took a bit of malicious pleasure at Ben’s discomfiture, but one can hardly blame him for that, especially when he’s doing what can only be described as the Island’s bidding. But this just points all the more strongly to the Island being Locke’s ultimate exploiter, which I’ve been banging on about for goodness only knows how long. Longer than I’ve been writing for this site, certainly.

Quick Hits From “Dead Is Dead”:

• I actually find I believe Ben both when he says he knew Locke would be resurrected and that it scares him to death because he’s never seen anything quite like it. The rest in both of those exchanges was typical Ben BS.

• The Temple’s outer perimeter is a half-mile in radius?!? With all the over “the line” galavanting that various Lostaways did, not a single one of ‘em saw a massive stone wall surrounding a circular mile?

• Locke should never tell Ben to “shoot.” Ever. Jus sayin’.

• Smokey gets summoned by unclogging an ancient drain? All I ever get in my bathtub is my discarded hair. Yeesh. The only way that could have been more underwhelming would have been if Ben had filled out a form in triplicate.

• Is it just me or did Anubis look supplicant to the image of Smokey in the Temple hieroglyph? I find this…disturbing.

• Ben looked genuinely surprised to see Jack, Hurley, and Kate in the DHARMA Class of ‘77 photo. Curious.

• Widmore got some of the best lines, what with constantly sneering, “Boy!” at Ben and getting in a sweet reference to The Prisoner.

• Locke got so very many great lines: “I was just hoping for an apology.” “You just make friends everywhere you go, don’tcha.” “No sense in me dying twice, eh?” And even his little smile and wave to Frank & Sun. Priceless!

• “What lies in the shadow of the statue?” doesn’t sound like the Snowman Joke so much as some kind of Illuminati secret signal. At last, we have our other party in the “war” that Widmore’s always going on about. I’m coming around to the notion that Ben, Widmore, Hawking, Alpert, and now Locke, are all on the same side here even if there’s internecine struggle.

And now, “Some Like It Hoth!”

That is why evil will always triumph, because good is dumb.

From a Ben-tastic mythology-fest to a Miles & Hurley, pop-culture-laden, authentic Lost throwback to the days of pure flashback storytelling…and another one of those “breather” episodes before the roller-coaster that is Season 5 goes into a three-gee barrel-roll en route to the explosive finish.

Now, the discerning Lost fan had long since figured out that Miles was Dr. ChangCandleWickmundHalliwax’s son. So, that revelation was a distinct non-event to anyone reading this blog. But we still got some good insight into Miles’ character…enough to know that he’s a walking, talking example of the Hedgehog’s Dilemma, more comfortable with the leftover impressions of the dead than with anyone living.

Me, I’d be surprised if someone being brought up under those circumstances and losing his mother so young didn’t develop intimacy issues and a larger-than-healthy dollop of bitter cynicism. And can you honestly imagine being privy to all the mundane, nasty detritus of a dead mind effectively trapped in amber? There’s a reason Douglas Adams construed telepathy as a punishment in The Hitch-Hiker’s Guide to the Galaxy. (And I thought working tech support could give you a dire opinion of your fellow human!)

Good thing that Miles was playing Han to Hurley’s Chewbacca with the DHARMA van standing in for the Millennium Falcon on their little smuggling run around the Island. Hurley, as always, laid on the wisdom. If people just communicated more, they’d be a lot less miserable. And Ewoks suck, dude. Yes, his spelling may be atrocious and he may be ignorant about the time-scale on global warming and he may not be too swift on the uptake about the nature of time-travel in the Lost universe, but when it comes to matters interpersonal, Hurley seems to have more on the ball than any other character on the show.

You’d also think that Miles would be able to take his own advice as given to Mr. Gray (played by Dean Norris, a regular on the truly amazing Breaking Bad. If you’re not watching this unbelievable show, then start. Now!) not to miss his chance to tell a loved one he is loved. But noooooo…or at least, not yet.

Running on a treadmill after you and I’m running on a treadmill now

But it wasnt going to just be easy-breezy Lucas references from opening to closing credits. No, it wouldn’t be a Season 5 episode if there weren’t a few more inexorable time-loops constricting our characters in their coils.

Yes, the one involving Miles is patently obvious. It’s going to be thanks to him and the rest of the time-travelers that Dr. Chang turns his back on his wife and baby to save their lives, thus making him much less of a “douche” than Miles had been led to believe during his upbringing. (Note the way Miles kind of “fell in” behind Chang at various points in the episode, as if indulging his desire to be a boy following his father’s commands?)

But did you see the look on Hurley’s face as he watched the Numbers be stamped into the Swan Hatch-to-be? It was as if the number chisels were being hammered directly into his tormented heart. That was more painful than watching Jack & Kate, the troublesome twosome, trying and failing miserably at allaying the suspicions of Roger Linus about his dying son’s sudden disappearance. Those two really can’t do a damned thing right, can they. *sigh*

Paternal relations aside, I can’t help but think that the reading of Alvarez of the lethal orthodonture was not Miles’ purpose in being back on the Island. After the events of “The Variable,” I can’t help but wonder if Miles won’t be reading poor, dead Daniel to get at the crucial information in his cranium. I also can’t help but think that Miles is also headed to a bad end along with the rest of the freighter people.

Charlotte seems to have been brought back just to realize she’d been there before and to motivate Faraday to work himself up to thinking he can change the past. Faraday had to fail at that and get killed at the hands of his own mother. And Miles? I have a bad feeing about this…I don’t think he’s going to survive The Incident while Chang does, thus forcing another parent to see the ultimate fate of their child who was unnaturally transported to the past. But I hope I’m wrong. Miles has kind of grown on me.

Things that make you go, “HAH!”

• “Circle of trust.”

• “Why don’t we carpool? It’ll help with global warming, which hasn’t happened yet, so maybe we can prevent it.”

• “You’re just jealous my powers are better than yours.”

• “Polar bear feces.”

• “That douche is my dad.”

• “Third day we were here, I was on line at the cafeteria, and my mother got in line behind me. That was my first clue.”

• “We should all… get together for a beer sometime. How awesome would that be?”

• Miles’ deadpan reading of Hurley’s alternate script for The Empire Strikes Back.

• Phil getting beat up and tied up.

Hurm

• Is it even possible that the DI was managing to build the Swan without the knowledge and at least tacit approval of the Others?

• Emotional scenes with the dead always seem to cost extra with Miles, then end up getting refunded.

• Did anyone not know that it was Widmore who staged the fake 815 wreckage?

• OK, it was nice to know how Miles settled on exactly $3.2 million, even if it was a little underwhelming.

• Wow, but Bram came off like a recruiter for Jonestown in his attempt to persuade Miles. Kind of creepy. Also, their “team” clearly has nothing to do with Widmore, Hawking, Ben, or Alpert. Makes me happy Miles was so snarky with them.

• I so need to make myself one of those stylin’ black jumpsuits Dan was wearing when he got off the sub.

Stay tuned for the thrilling conclusion of me working through my backlog after “Follow the Leader!”

After watching The Variable three times, and paying special attention to the significant ‘destiny’ references, I experienced an epiphany that I believe to be plausible given the time travel we’ve witnessed this season.

We now know that Daniel Faraday is a talented musician, a piano prodigy.  My theory is that Faraday programmed The Looking Glass station security code.

We don’t know exactly when The Looking Glass station was constructed, but we know it existed in 1977 (Namaste). Faraday was stuck in time in 1974 after one of the island’s time shifts, but we do not know when he left for Ann Arbor before returning on the sub in 1977. So it isn’t out of the realm of possibility that Faraday programmed that station’s security mechanism with a song at some point during that era, especially if he KNEW that it would alter (but not change) the destiny of the 815 survivors.

DESTINY IS A FICKLE BITCH

In The Variable, Faraday’s mother Eloise Hawking told him that destiny “means that if one has a special gift, it must be nurtured.” She was also quite adamant that her son disregard his musical skills and personal relationships to focus on science and mathematics, but he argued that he “can make time” for all of his interests. Perhaps he did just that on the island, combining his many talents to program the security code using a song.

Faraday told Jack in The Variable that “We make choices. We have free will. We can change our destiny.” In the Season 3 finale Through The Looking Glass, Charlie reminded Desmond that “you said it’s my destiny to turn off that jammer.” Charlie made a choice to sacrifice himself so that his friends would be rescued, and he was only able to fulfill his destiny because Faraday designed the musical code.

It is striking to me how both Charlie and Desmond eventually affect the destiny of everyone on that island by simply flipping a switch and pressing a button, and perhaps gives credence to my theory about the early level of involvement by both Faraday (The Looking Glass) and his mother Hawking (The Swan). Let’s revisit the following:

Desmond (Greatest Hits): “You’re inside a hatch. It’s a room full of equipment. There’s a blinking yellow light and switch. You flick the switch, the light goes off and then you drown.” Charlie: “So, before I drown, I just have to flip a switch.”

Charlie (Through the Looking Glass): “I just turn off your little jammer and the helicopters come and rescue all my friends.” Bonnie: “But if this station floods, what happens to you?” Charlie: “I die.”

Eloise Hawking (Flashes Before Your Eyes): “Breaking her heart is what drives you in a few short years from now to enter that sailing race, to prove her father wrong, which brings you to the island where you spend the next three years of your life entering numbers into the computer until you are forced to turn that failsafe key. And if you don’t do those things, Desmond David Hume, every single one of us is dead.”

Faraday (The Variable): “The Dharma folks at the Swan site, they’re gonna drill into the ground and accidentally tap into a massive pocket of energy. The result of the release of this energy would be catastrophic. So in order to contain it, they’re going to have to cement the area in, like Chernobyl. And this containment, the place they built over it…I believe you called it the hatch, the Swan hatch? Because of this one accident, these people are going to spend the next 20 years keeping that energy at bay, by pressing a button; a button that your friend Desmond will one day fail to push, and that will cause your plane, Oceanic 815, to crash on this island.”

THE ‘CONSTANT’ FACTOR

Keeping in mind that Desmond is Faraday’s constant and that Desmond’s constant is Penny, Faraday’s half-sister….

Right before meeting Faraday’s mother Eloise for the first time in 1996 during Flashes Before Your Eyes in Season 3, Desmond ran into Charlie in London outside of Widmore Industries (owned and run by Faraday’s father Charles Widmore). Charlie is singing Wonderwall by Oasis, “maybe you’re going to be the one who saves me…”

During their brief time together on the island, Desmond does save Charlie’s life on several occasions (the golf club as lightning rod, rescuing Clarie from drowning, saving Claire’s migrating bird, Rousseau’s arrow trap in the jungle). Desmond intended to take Charlie’s place by swimming down to The Looking Glass, but Charlie knocked him out and said “you and I both know you’re not supposed to take my place.”

FARADAY & DESMOND’S SWAN CHAT

So what does all of this have to do with Faraday programming the song in The Looking Glass?

Consider the following conversation between Faraday and Desmond in Because You Left (which took place before 815 crashed & long before Desmond met Charlie for the first time on the island); Desmond’s original vision of Claire and Aaron being rescued via helicopter, the very reason that Charlie chose to dive down to The Looking Glass station, is suddenly quite relevant:

Faraday: “You’re the only person who can help us, because Desmond, the rules don’t apply to you. You’re special. You’re uniquely and miraculously special.”

Desmond: “What are you talking about?”

Faraday: “If the helicopter somehow made it off the island, if you got home…”

Originally, I assumed that Faraday was referring to the freighter helicopter that the Oceanic 6 were on, but it is open for interpretation that Faraday knew about Desmond’s future vision that set off the series of events leading to Charlie’s actions in The Looking Glass.

In addition, I believe that the Easter egg featured in The Variable (the rabbit, which is literally THROUGH THE LOOKING GLASS of Faraday’s mother) is a visual clue to this particular puzzle piece of Lost…

Everything happens for a reason. Don’t mistake coincidence for fate. These are not merely Lost cliches; they are applicable mantras in the tangled web of possibilities that has been woven before our eager eyes over the last five seasons.

I realize that it requires a leap of faith to link these characters and events. Earlier this year I explored another path which would require fans of the show to suspend our disbelief even further; I dubbed it my Crazy Charlie Theory, and if you’re interested, it somewhat relates to this road less traveled.

Now that I have outlined the reasons why Faraday and fate have intertwined on the island, resulting at least in part with Charlie’s destiny decision to save his remaining 815 friends, I would love to hear what you think. I would only ask that if you strongly disagree with the general theory or any of the points outlined above, you express it constructively. Namaste!

Note: There is a poll embedded within this post, please visit the site to participate in this post's poll.

]]> http://www.docarzt.com/lost/lost-theories/exploring-an-epiphany-faraday-charlie-through-the-looking-glass/feed/ 28 http://www.docarzt.com/lost/lost-news/henry-ian-cusick-is-accused-of-sexual-harassment/ http://www.docarzt.com/lost/lost-news/henry-ian-cusick-is-accused-of-sexual-harassment/#comments Sat, 25 Apr 2009 13:55:27 +0000 triangulatedsignal http://www.docarzt.com/?p=6876 Henry Ian Cusick has been accused by a Lost crew member named Chelsea Stone, of sexual harassment.

The former employee has filed a harassment and sexual battery claim against the actor who plays Desmond in the show.

The documents have come to light and show that she is accusing the actor of groping and fondling her, and making lewd sounds and gestures which were directed at her. She has also claimed she reported this to her supervisor, but was told only to avoid the actor, and was 12 days later on Oct 28th, 2007, fired from the position for reporting her accusations. The woman had worked with ABC since 1997.

The plaintiff is also reporting emotional distress, physical sickness and a miscarriage which she claims was a result of the incident.

The documents do not disclose how much in settlement the plaintiff is looking and as of yet no comment has been made by Cusick’s representation.

To view the court documents click on the following link:

http://images.eonline.com/static/news/pdf/henryiancusick.pdf

Source : EOnline Forbes

(Author’s Note: Before reading my piece below, read imfromthepast’s very well-written piece, “Time Travel for Dummies.” Then, read or re-read the Wikipedia article on Predestination Loops you should have read in a previous post of mine. I’ll wait.)

Just when you thought things couldn’t get any stranger after “Jughead” and its potentially explosive reveals, the Lost timeline has somehow managed to get even more tangled and snagged thanks to “The Little Prince.” Unlike other writers whose recaps I’ve seen, I’m afraid I had to familiarize myself with the episode’s namesake novella as best possible via Wikipedia. As a former Comparative Literature major, I hang my head in shame.

Consequently, outside of the obvious analogy of Aaron to the titular Little Prince, I’m going to leave the literary allusions to that book to other, better-read individuals.

It’s a good thing so very much more was was going on, then. The predestination loop elements have clarified slightly, some characters tried a radical new thing called open communication, and Jack screwed things up with Kate even more…yay! ‘Sides, it’s not like Heinlein’s Stranger in a Strange Land really seemed to have too much to do with the episode that bears its name… Shall we? Let’s.

I am the eye in the sky, looking at you…

Before we get to the brain-melting, fangirl-squee-inducing stuff, let’s start with something much, much simpler. Revenge. It just never seems to be a good idea on this show, now does it. And right now, even more than Ben, revenge is embodied by the new Sun 2.0, Extra Vicious™.

So Sun wasn’t the mysterious client represented by one Dan Norton, Esq. In retrospect, I was clearly over-thinking things last week and ended up double-crossing myself to avoid the obvious conclusion that it was Ben just trying to pry Kate loose from domestic bliss to get her back with the rest of the Oceanic Six. Can’t win ‘em all…but that’s why we all love this show, right? (By the way, nice red herring on Brian Vaughan’s & Melinda Taylor’s parts catching us off-guard with Claire’s mum and having Jack nearly spill the O6 beans. I can’t help but wonder if an off-Island “Oceanic 815 Truth” movement spearheaded by friends and family of all the 815 passengers — the Littletons, the Dawsons, the Reyeses, etc. — might not yet end up being a prominent story element, even after the O6 and other Island refugees find their way back. If anything, its flames would be fanned by the O6’s sudden disappearance.)

But Sun still got to have her own chocolaty part of the episode’s intrigue after finding a rather unusual surprise of a gun at the bottom of her Godiva assortment. Somewhere, Chekhov is smiling on the Lost writers’ room! Couple that with surveillance reports and photos concerning Jack and Ben, and Lady Vengeance is all coiled to strike…just as soon as she gets Aaron to drop off to sleep in the back seat.

However, thanks to the delightful dual-reveal of Danielle Rousseau’s team of French Science(?) All-Stars and Jin’s “live” status, we now know for sure what many of us suspected since the bad ship Kahana blew up in last season’s finale: Her vengeance is pointless, albeit quite understandable.

As much as I’ve enjoyed seeing newly badass Sun take over Paik Heavy Industries and cast her lot with Charles Widmore in post-Island life, Sun has clearly not had the evolution that Jin has over the course of the series (the latter of which being a big argument from the “no, Jin is dead” camp from last year since characters who exorcise their demons do have a way of dying on Lost). She has yet to learn to let go of her demons and it’s going to hurt people. Herself, Jin, and Ji Yeon, certainly. The other O6ers and Island Refugees, probably. Many more, possibly.

Jin has become worthy of Sun over the first four seasons of Lost, but now Sun needs to become worthy of the reformed Jin and of Ji Yeon. I’m rooting for her here, but there’s entirely too much of a possibility she ends up like poor Michael and that scares me.

Getting back to Widmore, what’s his game in trying to have Sun kill Ben? Isn’t that against “the rules?” Hm. Let’s ponder what we’ve learned about those rules.

The first rule of Fight Club is, “you do not talk about Fight Club.” The second rule of Fight Club is, “you do NOT. TALK. ABOUT FIGHT CLUB!”

The interactions between our time-tripping Lostaways and various parties in 1954, 1988 and other past times so far have proven that the on-Island Others, Widmore, Hawking, probably Faraday, and possibly more tell us that certain people have known about the crash of Oceanic 815 in 2004 and its survivors for a very long time. Given that we know there are some ground-rules in the temporal chess match between Widmore’s camp and the Others, I think we need to start delineating them. And I don’t mean agreements or concessions here, I mean hard and fast rules, the penalty for breaking which would inspire the now-common phrase, “God help us all.” What do we know so far?

Observation #1: Some events are known and cannot be changed even if you want to.

To quote old, reliable Vonnegut from Slaughterhouse-Five, “the moment is structured that way.” If an event is known to have happened, then it needs to happen or we’re in “crossing the streams” territory. Do not make Eloise Hawking come over there and scowl you to death, because you know she’ll do it. So, if events looked to us back in seasons 1-4 as if they’d conspired to put these people on that plane (or boat in Desmond’s case, or submarine in Juliet’s), it’s because there was a conspiracy to put them there.

This is why Ben sounded almost as though he was reading it from a script as he said, “there may actually be survivors” as he watched 815 crash in “A Tale of Two Cities.” He’d been rehearsing for that moment his whole adult life. It’s also why people like Ben, Alpert, Hawking, and Widmore kept their secrets even from their own associates and loved ones. It’s bad enough they themselves have to endure knowingly being puppets on fate’s strings knowing full well that they lacked the ability to change even what they might want to change, or that any achievement of theirs was fated, leeching away any satisfaction they might have taken from them…they would never have burdened the ones they cared about with that knowledge. Take a moment to reflect on just how corrosive that kind of knowledge can be. Just going a spoiler too far on “Through the Looking Glass” was enough to seriously disappoint me, so magnify that to the point where you know your life is a cosmic joke. As Sawyer so pithily observed, “Time travel is a bitch!”

That Locke appeared to feel no temptation to counsel his past self despite knowing his exact location on that night, even seeing it advertised in the night sky (and how cool was that?), gives me all kinds of hope that he’ll be necessary to the endgame, requiring the ultimate miracle in a life defined by them: resurrection. More on this later.

Observation #2: The existence of a wild-card implies the possibility to change the future beyond known events. That’s the ultimate prize.

Poor Charles Widmore. For all his dislike of Desmond Hume, he had to not only let Des date his daughter and enter his sailing race, he had to ensure it happened. Desmond’s “wild-card” nature meant that he required more forceful manipulation than the rest, given that the universe would “course-correct” to ensure the actions of the other Lostaways. (And doesn’t that put a very interesting spin indeed on Hurley’s epic-scale misfortunes? The universe or the Island had to intervene big-time to deal with Hurley’s inadvertent causality-hack of using the Numbers to play the lotto.)

What’s more, I put it to you that whichever side more successfully manipulates Desmond (and it could ultimately be Desmond himself, for all we know) will end up winning what they really want: the chance to actually affect the future.

Desmond’s actions have been crucial to enabling the trips to the past by a) turning the fail-safe key which made the Island visible to Penny’s listening station, and b) keeping Charlie alive long enough to shut down the Looking Glass Station’s jamming signal. These allowed Widmore’s freighter to first find the Island’s current coordinates and let the crew know Naomi had successfully landed on the Island, paving the way for Daniel’s team and Keamy’s mercs to arrive and the Oceanic 6 to leave.

All this had to happen or the time-trips wouldn’t. It’s prologue, already written and immutable. That there is uncertainty beyond a certain date in time must also follow, or there would be no game to be played.

But something was already different by the time we got to “The Shape of Things to Come,” or Ben wouldn’t have been so shocked by Alex’s death. It was clear from his reactions that this was not foreseen, that if anything Ben “knew” to the contrary.

I suspect this is why Others had such an interest in “special” kids like Walt, who seems to have the innate ability to manipulate probability around him in small ways that are desirable to him: for his thrown knife to his its target, for the backgammon dice to go his way, or for the bird he wants to see to fly into his own window. Clearly, they hoped to find a “wild card” they could indoctrinate from an early age. Ditto the DHARMA Initiative’s efforts on parapsychology.

My prediction here is that the time beyond which events are “known” is not too long after the Oceanic 6 return to the Island. Why else would Ben be so keen to hitch a ride? He knows they have to go back even if he doesn’t know the details.

Observation #3: Ben’s Others, Widmore, and Hawking had very incomplete data from the recorded time-trips and have worked extremely hard to extrapolate the rest. They now know how to map causality like nobody’s business.

Isaac Asimov created the fictitious science of “psychohistory” for his landmark Foundation series. It was the science of predicting what humans in large enough numbers — societies, basically — would do for centuries and millennia into the future with pinpoint accuracy. I assert that certain characters have likewise mastered the arts of extrapolating both backwards and forwards along the timeline of smaller groups and individuals, with Eloise Hawking and Daniel Faraday probably being the most accomplished practitioners of this science. The very odd, specialized nature of Hawking’s equipment and equations in her short scene with Ben in “The Lie” really drove home the parallel with Asimov’s psychohistory. Both Ben and Widmore act deferent toward Hawking, and this is probably why. It’s also why I suspect her and Faraday of having their own agenda, particularly where Desmond is concerned.

This explains the extreme subtlety and convolution of each “player’s” machinations. It explains the exhaustive level of detail in the Others’ dossiers on the 815 survivors. If speculation about Dan being Hawking’s son and Miles being Pierre Chang’s son are correct it could also explain why they were given names different from their parents’, so that Ben and possibly Widmore as well would be unaware of their true identity and role in the script of our little play. Heck, Miles might not even know his own true identity, given that he seems to have logged Island-time of which he’s unaware according to Dan’s Unified Nosebleed Theory. What does this imply for Charlotte then, hmm?

Finally, I think it also explains the need for Locke at the end because of his prodigious intuitive grasp of strategy. Somehow, some way, John Locke is going to make a brilliant move that trumps all the decades-long machinations of the rest once he understands the game better.

Communication breakdown, it’s always the same. I’m having a nervous breakdown…drive me insane!

If there’s one thing on Lost that’s always driven me crazy, it’s the seeming inability of our Lostaways to share sufficient information with one another. The Others, at least, I can understand…they’ve got this whole time-travel cover-up thing going on, after all. But you’d think that, after all the things that have happened to them on Mystery Frickin’ Island, our heroes would have learned that silence really does equal death. Instead, they act like a bunch of riverboat gamblers, playing their cards so close to their vests even they can’t see their own hands rather than treating their fellow survivors like people on whom their lives depend.

But this episode finally had our characters open up to one another the way they should have been doing all along, or at least starting as soon as they realized just how bizarre their crash-site actually was.

Locke told Sawyer the story of banging on the hatch door and thinking the light coming out of it had more significance than there just being someone living in the Hatch. Sawyer told Juliet about seeing Kate and Claire delivering Aaron. Miles told Dan he was having a nosebleed. Jack tells Kate about Sayid’s would-be captor (wanna bet he’s working for Ben, too, serving the same function toward Sayid that lawyer Norton did for Kate, namely to flush him out into the open?). Of course, he neglected to tell her up-front about Ben, but hey…baby-steps, right? And he’d already shaved off that chin-badger, so we’ll cut him just a little slack despite being a dupe and a maker of Jackfaces.

Even Ben came clean about being Norton’s client as soon as he came face to face with Kate. Imagine that. Now, is it just me or has he seemed awfully…improvisational…since turning that Frozen Donkey Wheel? He’s let an awful lot hinge on his ability to directly persuade the O6 et al of their need to return to the Island. That he was temporarily outmaneuvered by Hurley should have everyone’s jaw on the floor, if you think about it. Though, that said, he’s almost certainly had his trump card over Sun of knowing Jin’s alive ever since he stole Alex from Rousseau then learned all the details about Jin after 815 crashed and he got his lists from Ethan and Goodwin, putting two and two together.

All I can say is that our Lostaways had better keep up this kind of open exchange of information because if they don’t, they’re going to end up someone’s pawns for sure rather than the captains of their own destinies.

La mer, des reflets changeants sous la pluie…

At last, we have visual confirmation of at least some of Danielle Rousseau’s story as she related it to Sayid all the way back in “Solitary.” Yes, her crew did hear the radio broadcast of the Numbers emanating from the Island. Yes, they really were stranded by their dashed ship to wash ashore on the Island. Yes, Alex was a precious little bump in Danielle’s belly. They also just happened to pick up a time-displaced Jin, floating on a bit of flotsam from the Kahana.

And seriously, how awesome was it that the writers managed to make all the fan-geeks squeal with delight at seeing and hearing the long-awaited French team only to actually manage to trump that with the reveal of Jin still being alive? Audacious! Well played, Vaughan and Taylor, well played, indeed. Also, while I love Mira Furlan to death, it was kind of nice to have a Danielle Rousseau with an actual French accent.

Given that the next episode is entitled “This Place is Death,” I can only imagine that we’re also going to see the “sickness” and death of everyone in that party except for Rousseau, who is driven mad by slaughtering her compatriots and by the theft of her newborn daughter, and for Jin, who gets to time-warp out of there and presumably reconnect with his fellow Lostaways. Though somehow I’m sure there will be a bit more to it than that, n’est-ce pas?

We’ve got to go back…to the future!

Our first flash of the future — well, the first one of which we’re completely sure…I suspect that the jump where Alpert was Johnny-on-the-spot for Locke was also to the future, if only a near one — certainly looked grim, didn’t it. The camp was in ruins, the DHARMA beer had been drunk, Vincent’s leash was there without any sign of our golden friend, and strangers in outrigger canoes were shooting at our heroes.

That we finally got our first in-show appearance of Ajira Airways on the found water-bottle was rather telling here. Somewhere down the line, another airliner is going to crash on or around the Island.

I wonder who could have been on that plane in addition to the O6 that would do that to the 815ers’ camp. The exchange of gunfire could very well have been between time-shifted Lostaways, though likely not future versions of the same ones who were in Locke’s appropriated canoe. They would never have given chase and opened fire if that were the case because they’d remember.

But I also don’t think that any future-version Lostaways would have devastated the beach camp like that. No, there’s got to be someone actively antagonistic to the Lostaways on that Ajira flight, and they can’t help but figure prominently down the line as the story plunges into the (relative) future for our on-Island characters for whom it should be January of 2005.

I wouldn’t be surprised at all if this particular question isn’t fully answered until at least the latter half of this season, if not in Season 6.

That is not dead which can eternal lie, yet with strange aeons even death may die.

Finally, the jumbo-sized easter egg. If you read this blog (or any of the other big Lost blogs) with any diligence, you’re already well aware that the company name on the side of Ben’s cargo van, “Canton-Rainier,” is an anagram for “reincarnation.” 

I find the choice of  the word “reincarnation” over the word “resurrection” there very telling. Reincarnation very specifically means the return of the same soul in a new body after death rather than the reanimation of an existing dead body. Maybe I’m nitpicking and going overboard with this a bit, but it inclines me to think that this is not to do with Locke, who I still very much think (and hope!) is going to be resurrected rather than reincarnated. 

Instead, I actually think it has to do with the leadership of the Others. As we all should know by now, the test administered by Alpert to young Locke to determine whether or not he was destined to lead the Others as time-traveling Locke had asserted was very similar to that administered by Tibet’s Panchen Lama to children who might possibly be the new incarnation of the Dalai Lama.

This makes me wonder if Ben and/or Widmore might not be slated to die so that one of the Lostaway babies — Aaron, Ji Yeon, or Charlie…but probably Aaron — could end up the Once and Future King of New Otherton™. And, lest there be any moaning about overlapping lifetimes, let’s not forget that we’re dealing with a show which now features corporeal travel through time rather than just consciousness-travel a la “Flashes Before Your Eyes” and “The Constant.”

That ought to be enough to chew on until next Wednesday.

In “Jughead,” ambiguity is the watchword of the day with very few scenes being what they seemed to be on the surface. Hell, even the reference in the title is ambiguous, since “Jughead” was both the name of an actual experimental H-bomb and of a time-traveling Archie character! (Don’t think they meant the Archie reference? Then why did Widmore’s appropriated uniform say “Jones?”) About the closest thing we got to straightforward was Locke’s closing the time-loop that brings him to the Island and makes him either the resurrected Once and Future Island King™ or else the biggest patsy ever used and abused by this particular hunk of exotic-matter-laden rock, putting even poor Michael to shame.

(Aside: And really, wasn’t it just one of the most cold-blooded moments on the show so far when Island Apparition Christian appeared to pointedly dismiss the at least partially redeemed Michael? No one deserves that…except Nikki & Paulo, of course.)

So let’s start with the Locke subplot before we get to the main course of Desmoliciousness. (I do so love Desmond-based neologisms, or “Desmologisms.” )

Pre-des-tin-a-tion, pre-des-tin-a-yay-tion…it’s making me loop!

That grown-up Locke ended up being the cause for Alpert’s previously-mysterious interest in young Locke may seem anticlimactic to the hardened sci-fi geeks in the house. I mean, we’ve all seen predestination loops before. But that reaction gives short shrift to this scene by focusing too narrowly.

Just as important in the exchange between time-jaunting Locke and 1954 Alpert was the fact that Alpert and the 1954 Others (including promising rookies Charles Widmore and Ellie-probably-Eloise Hawking) seemed ignorant of time travel as a possibility on the Island. It certainly looked to me as thought it was this strange visitation by the class of 2004 that first showed them it was even a possibility and that they should start studying bleeding-edge physics, stat!

In so doing, Locke (and Faraday) actually gave rise to the epic-scale ensurance trap being spearheaded by Hawking and blessed by Alpert (after all, Jacob sent Locke, right?) to ensure that all the Lostaways were aboard fateful flight 815 and Desmond entered Widmore’s sailing race.

It also resulted in the careful grooming of Faraday (who I’m more convinced than ever is Hawking’s son, but more on that later) as a temporal troubleshooter. Think about it…if the sudden disappearance of of the ‘04 Lostaways didn’t completely verify their outlandish story, then the birth of one John Locke in Tustin, CA, a mere two years later certainly did. It also explains the seemingly excessive emotional response by Alpert to 5-year-old Locke’s failure of the Other Lama Test™.

So, while Locke’s role in setting the predestination loop in motion was clarified, his fate was rendered more ambivalent than ever. Locke’s ascension to Other leadership as a child would clearly have gone against the time-stream’s (or maybe just the Island’s) necessary configuration. As Faraday said, most of us can’t change the past. Locke had to fail that test and he had to turn down the “Science Camp” invitation from Mittelos as well. He had to lose the kidney, survive his 8-story fall, be miserable in a wheelchair for some years, crash with Oceanic 815, be miraculously healed, do all the things we’ve seen him do on the Island, and actually die in the service of this grand design.

(Further Aside: Is it just me or does this throw some serious doubt on the ultimate employer of Mr. Matthew Abaddon thanks to his visit to the convalescing Locke? The possibility that he’s a double-agent only pretending to work for Widmore while actually serving Ben, Alpert, and Hawking is intriguing, to say the least.)

Furthermore, it’s becoming clearer and clearer that Jeremy Bentham-vintage Locke actually did not spend three years leading the Others and soaking up Island lore. Instead, bouncing around through time and never managing to get full explanations out of any version of Alpert he meets, he seems more out of control and less clued-in now than he’s ever been (his quick adaptation to using details like when certain rifles were made as temporal landmarks notwithstanding). Increasingly, he looks like the Island’s most-exploited dupe.

But then…it’s still only the beginning of Season 5 with the better part of two full seasons to go and Locke’s biography remains studded with miracles, the list of which I’ve gone through before. I still read this as setting Locke up for the ultimate miracle of resurrection and a chance for our master player of games to finally make the decisive move that “wins” for everyone the show and possibly everyone on Earth. Who knows? Maybe like poor, canceled John Doe, Locke will wake up with the Akashic Records in his head and Jack as his converted apostle. (I really like that scenario, by the way! You listening, Darlton? )

We also got to see that Richard doesn’t merely seem ageless by virtue being a time-traveler, as some had suggested previously, but has actually stayed young for very long periods of time. If anything, the evidence at hand would appear to suggest that Alpert has only ever traveled in time at the usual 1:1 speed. (“How old is he?” “Old.” I still say Alpert, at least, was on the Black Rock, dangit!)

Of course, this segues nicely to those fresh-faced youngsters, Widmore and Ellie…

I had a feeling when I’d met you that I’d seen you before. I saw the city of Paris in civil war…

The fact that Widmore was an Other in 1954 utterly confirms for me the basic premise of my “Others Civil War” hypothesis from last week’s recap, while still forcing me to change the details given that young Widmore would certainly appear to be “temporally appropriate” (ditto Ellie, assuming she’s Hawking, which I very much do!) to the grizzled, vicious old corporate raider in the present day.

Clearly, at some point, Charles tried to usurp power over the Others and the Island for himself. Though now I’m forced to conclude that this happened sometime in the late ’50s or ’60s in order for him to have gotten exiled to the outside world with enough time to spare to become a captain of industry thanks to his mad Other skillz before being the “silent partner” helping fund the DHARMA Initiative in the ’70s.

His ruthlessness was established early on by his willingness to snap his compatriot’s head rather than lead Locke, Sawyer, and Juliet to the Others’ camp. Ditto his arrogance by his inability to see Locke as anything more than “a sodding old man” who couldn’t possibly track His Otherness or know the Island as well as he does. Certainly sounds like the profile of an ill-fated would-be revolutionary and all-around hot-headed malcontent, don’t you think?

Meanwhile, young Ellie was given a really fine reason to start learning all she could about Minkowski space-time and probability by a traveler from the future. She also certainly seems to have ended up off the Island in the future, raising the possibility that she might have been a rebel on Widmore’s side. Possibly even his lover, as some are already theorizing, making Penny and Faraday half-siblings. (And we all know how Lost loves itself some secret half-sibs courtesy of Christian Shephard’s philandering ways…)

For her to turn around and fashion her son into an instrument for either troubleshooting or monkey-wrenching time itself (depending on how you choose to interpret it) would add yet another Dickensian touch to the proceedings. Anyone remember nasty old Miss Havisham, raising her daughter to break the hearts of men as a man had broken her own heart by jilting her at the altar in her youth? I know most of you are still trying to forget ninth grade English, but still…do try to remember your Great Expectations!

Despite all this seeming clarification, we once more find ambiguity in Eloise Hawking’s agenda in the future. Is she ultimately on Ben’s side? Widmore’s? Time’s? Her own? Whatever she is, she’s certainly not some passive Oracle of Time willing to do her thing for all sides without an agenda of her own. Yes, she may be helping Ben and the Oceanic 6 get back to the Island, but is that an alliance of convenience or a true loyalty to Ben (or just against Widmore) on her part? Is she trying to preserve the timeline, as she said to a confused Desmond all the way back in “Flashes Before Your Eyes,” or is that just a smokescreen for her attempt to use Daniel and Des to perpetrate the biggest temporal hack ever undertaken?

So, the reveals that both Widmore and Hawking were once Others, and that Ellie almost certainly grew up to be Eloise Hawking, mother of Daniel Faraday (and really, are those assumed names or what?) may seem par for the course on Lost, but don’t focus too much on the surface. Focus on the murkier depths instead, because meeting their past selves has done little to clarify the future of either character or their progeny.

Also, regarding Ellie, I think people are making wayyyy too much out of her comment to Daniel, “You just couldn’t stay away, could you?” This is a classic misdirection on the part of the Lost writers. This was a comment born out of the initial misapprehension on her part that Daniel, Miles, and Charlotte were somehow connected to the US military, with whom the Others had only recently done battle (and slaughtered to a man), and who left behind the titular Jughead, the H-bomb. It wasn’t Ellie recognizing Faraday at all, though as we heard in subsequent dialogue, Daniel recognized Ellie. (Holy broad hint, Batman!)

(Yet Another Aside: In further ambivalence news, weren’t the young Ellie and Widmore both dead ringers for how we’d expect them to look in their youth while simultaneously having two of the worst attempts at English accents ever heard on television? Oh my, yes!)

Okay, okay…now on to Desmond!

Just when I thought I was out, they pull me back in!

I know I can’t be the only one who gets a little misty over Des & Pen getting at least three years of globetrotting, off-the-grid connubial bliss or that they named their adorable little moppet Charlie. (Awwwwww!) But nothing good can ever come of seeming to get your “happily ever after” only two-thirds of the way through the story. And, sure enough, poor Desmond has to go back to Ithaca…er, Oxford…to run another errand for Daniel and all the endangered leftover Lostaways. Being a unique temporal anomaly can really have its down-sides.

And, for all that Desmond showed us a more take-charge side as he stormed into Papa Widmore’s office rather than approaching as a supplicant, he (like Locke) seems to be dancing on the strings of hidden puppeteers. Eagle-eyed viewers have already noticed that the receptionist at Oxford was played by the same actress who played the Oceanic Airlines gate attendant in Sydney who saw flight 815 off. On a show that’s used the same extras to mill around in the background since Season 1, that simply can’t be an oversight on the casting director’s part.

We know for a fact that extra special attention has been paid to the manipulation of one Desmond David Hume’s life—Brother Campbell, Ms. Hawking, Charles Widmore, Libby, Faraday, and no doubt many more have been expending Herculean efforts to ensure that he act as required for as-yet-unknown purposes thanks to his “specialness.” (Yeesh. You turn one little key and suddenly the burden of the entire time-stream is on your shoulders…very unfair, I say!)

So, the trip from her to Faraday’s “sealed” lab to meet the suspiciously helpful caretaker, to poor, time-unstuck Theresa, to Widmore’s office to get the slip of paper with Mama Faraday’s LA address on it seems awfully orchestrated…which only further obfuscates Hawking’s ultimate allegiance if so. And, even if the caretaker was on the up-and-up—an unexpected wrinkle based on Desmond theoretically being rebuffed by the “Daniel’s not here, man!” response from the planted receptionist—it still seems odd that Widmore would know how to find Hawking and be willing to give Desmond that info.

That the destination of Oxford was originally planted in Desmond’s brain by Daniel is also curious. It doesn’t beggar imagination that 2004 Daniel didn’t know that mummy had relocated in the intervening three years to LA, but somehow someone still knew that Desmond Hume would be showing up in Oxford on that lovely 2007 day. Hell, at this point I might be willing to believe it was a future version of Desmond, all Wyld Stallyns style.

It’s going to be one mighty interesting day when Des faces Ms. Hawking again after over a decade, and double trouble to boot since it’ll put Penny and Ben Linus in close proximity. Hopefully, he’ll remember Hawking. That Des couldn’t remember that it was in 1996 that he’d last gone to Oxford with the events of “The Constant” comparatively fresh in his mind (only three years as opposed to eleven years previous) is more than a little unsettling after Charlotte’s memory lapse last episode. If Des has time-travel sickness as a result of Faraday’s implanted memory or as a delayed, dormant effect of the effects of all Des’ other time-jaunts, I’m gonna get mighty pissy.

This is what you want. This is what you get.

Which finally leaves the 800 lb. gorilla in the room, by which I mean the 6-megaton-yield hydrogen bomb, Jughead. The one question I’m not hearing anyone ask, let alone answer, is how the US military managed to stumble its way to this particular Island to test a bomb capable of vaporizing it entirely when Widmore, Ben, and others with astonishing skills and resources can’t find their way there even with very specific intent.

I can only formulate one possible answer to this question: the Island wanted that bomb.

Why? Beats the hell out of me. It clearly didn’t have much use for the military personnel accompanying said bomb as it allowed its faithful servants to mow them down expeditiously. It also prevented the one man likely to have the acumen to “render it inert” from actually doing so by yanking on the ol’ time-strings to leave Faraday and the others goodness knows when.

As has been observed on several occasions, things buried on this particular Island have a way of showing up again, and burying the bomb is exactly what Faraday told the ‘54 Others to do. That means there’s still a highly experimental nuclear fusion bomb with compromised shielding somewhere on this Island fifty years later, thus becoming the single largest instance of Chekhov’s Gun ever seen on network television.

Could the Island be considering suicide like the Luna Central Computer in Steel Beach? On Lost, anything’s possible…

(Final Aside: To all you people out there speculating that Charlie Hume-Widmore somehow time-loops back around to become Charles Widmore, I’m sorry…I really just don’t think that Darlton would have a major character be straight out of a novelty song. There is such a thing as a time-loop too far!)