This is Jack’s POV. What a cut, from a plane crashing to peaceful ocean. This cut tells us where (and when) we are now. Post-crash, everyone has changed.
This tracking shot moves left to right. Moving shots are somewhat unsettling. They’re interesting and give the feeling that change is upon the characters featured and/or they’re environment. A fun example of this is when Locke predicts the rain later in the seasons, the camera is static. He is in control and we get that feeling. When we cut to Jack in the rain, it’s handheld moving shots.
Anyway, back to this episode, we track from left to right. The bickering characters are out of focus.
Then our heroine comes in, also outside the depth of field. Until Jack looks over, then the focus racks to her. All of this indicative of how we’re seeing this through Jack’s eyes.
J.J. is brilliant…
More to come early next week!
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25 Responses to “Examining the Scene: S01E01 ‘Pilot’”
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some good calls there, nice read!
Excellent article, as always. Thanks for all the time and effort you put into it, and I can’t wait for your next posting.
Does water vapor in the form of a white cloud normally pass by a window at 30,000 feet?
I can’t honestly remember ever seeing that phenomenon when I’ve flown, say, to Hawaii.
The reason I ask, of course, is that IF this is not normal, then what did I see on the other side of Jack’s window? Since the plane was experiencing technical difficulties long before Desmond failed to “push the button” (a communications problem, six hours into the flight), I’m wondering if black smoke monster might have a white relative. Jacob, perhaps?
Dude, you’re seeing things in clouds.
Nato, this shit is so ridiculously awesome. I’m figuring out how to write screenplays, and your breakdowns are very helpful in learning camera shots and such.
mad props
Let me recommend “Cinematic Storytelling” by Jennifer Van Sull for understanding the “meaning” behind certain camera shots.
However, for writing a screenplay, if you are not directing/producing it yourself, then you want to avoid calling for camera shots.
Same here.
Same here as to Adam118
Nato, my rewatch reached 3:10 already, and the funny thing is that I pay attention all the time now if the folks walk from right to left or not
)
I didn’t know quite where to post this, but I recently got season 1 on Blu-ray and have been storming through the episodes. Well, I am currently watching The Greater Good and on the menu under episodes it gives the title but they have added “aka Sides” to the title: so now it says The Greater Good aka Sides. I have never seen this before. It wasn’t on the original DVD which I also own. Has anybody else heard this episode referred to as Sides? Any info would be appreciated.
Sides might have been the original title or an alternative title for non-domesitc promotion. A quick google search brings up the title Sides along with The Greater Good. Maybe we should ask it to the Official Podcast
Great post Nato. Although I wish it was longer.
I have learned alot from your posts and notice so many of the things you’ve talked about. Thank you so much. I look forward to many more of your insights.
hey, i saw a great curb your enthusiasm the other day, could you break down that show as well?
Haha that show might not break down as well. Improv means less planning in terms of shooting and cutting. It’s all very on the fly.
I will be doing more features in the fall on TVOvermind for shows like Fringe, V, etc. Narrative shows that play out more like mini-films.
I don’t know anything, really, about how movies/TV are made and how the directors and DP’s figure out how and why to compose their shots, but your articles shed lots of light on the meaning behind it all. Do you have any suggestions for books, etc. that might help the average idiot understand the art of Film Direction?
Thanks for an informative and enjoyable article.
Surprisingly, The Complete Idiot’s Guide to Independent Filmmaking (Chapter 19) does a great gloss-over of everything I talk about.
To be honest, finding the meaning is relatively easy once you learn to listen to how a certain cut or shot makes you feel. There is no rulebook but there are rules, if that makes sense. Films like Breathless intentionally break traditional filmmaking rules for a creative point. I had an argument the other day with my roommate (who’s a director) on what low angle shots mean versus high-angle shots. I learned that low-angle shots show power. It shows the character big, strong, larger than life. While high-angle shots show characters weak, small, and insignificant. His argument was that high-angle shots show the character grounded, in control, and thus powerful while low-angle shots showed sky around the character, showed them not in control of the world. We both cited examples in different films and came to the conclusion that no one is right. There are different schools of thought. Such is art
It’s a matter of juxtaposition and context. You do an excellent job of getting at the intent of each shot because you take the time to analyze what came before it (i.e. the first twenty minutes of the pilot vs. the initial action of the flashback). In reality, you’re both right…depending on the context the artist places the shot in.
“Cinematic Storytelling” Jennifer Van Sull – as recommended above.
Oh, what a tease. Keep going….pleeeeese.
Awesome post!
Nato – On the tracking shot you point out we’re moving left to right. Notice that in the West this is a natural style of reading. It makes us comfortable. Therefore, we’re more inclined to like Jack. Then Kate enters right of screen. She goes against our natural flow, plus she’s behind him. “Watch your back, Jack.” Can we trust her? Then the rack focus. We may not be able to see her clearly just yet, but Jack does. So we can trust Kate for now, because Jack does.
Excellent, as always! Thanks for the enriching post.
Awesome! Thanks so much – I could read your stuff for days.
This is exactly what I’m doing. I didn’t want to rereview all the old episodes again so I’m just concentrating on the exciting scenes. I’mc alling it Vital Scnes, but it’s essentially the same. Check out what I have so far here: http://ncjl.wordpress.com/category/vital-scenes/
- izi
Mikeel – watch avatar episodes!…
I wonder if it’s coming a Avatar Book 4, because I’ve seen in many websites it says “Avatar Book 4: Air Temple” but I’m not sure because some people say it won’t come.. do u know something?…