On shooting Juliet’s final scene in the season 5 finale:

MITCHELL: “At the time, I didn’t think I was ever coming back.  So for me it was just a really big goodbye and easily heartbreaking. It wasn’t one of those things to think about it. Also, Josh [Holloway] is really strong, so I was on this pulley, and I had them loosen the pulley so he’d really be holding me up, and it killed both of us every time. When my hand slipped from his, it was because he couldn’t hold on any longer. So that hit us with a real punch.  And then, to be trapped in that cave and to have no way of telling anybody and to be too hurt to move—who does that happen to?  Is that not your deepest, deepest nightmare? So that was very easy to play because it was so big…. We were all broken-hearted and crying quite a bit.  Evangeline [Lilly] couldn’t have been more supportive about all of it.  Everyone came to say goodbye.  I think Jorge [Garcia] brought champagne. It was a cathartic and amazing experience.”

On why she enjoyed that scene:

MITCHELL: “It was really primal. And it was such a lovely opportunity because there’s always been this theory that I just may be a really really horrible actor because I don’t show any emotion. I love that we got to see all of her rage, because to me, that’s what’s driven her. To have the calm exterior, I always had to have that underneath.  That’s what made playing her kind of hard in my personal life because there was so much unexpressed.  So I’d be on the way home, Agggghhhhh!, crying or screaming.  That was the very first time that we got to see her naked—besides being in love. We actually got to see all of that pain and rage that had been built up for some time.  Then there it was—Juliet unmasked. And it was fun. I remember the director saying, “Can you just push it to the limit?’ And I’m like, ‘Really?’”

On the decision to off Juliet:

CUSE: “As the story is now nearing its conclusion, some characters just aren’t going make it all the way to the end. Even beloved characters aren’t going make it all the way to the end. And sometimes we have to do things that are really painful, like killing Juliet, because that’s what makes the story feel like the stakes are genuine, and people feel invested that characters who are beloved can actually perish on our show. It was an enormously powerful story that concluded the entire season of the show. So she was sacrificed in service of the story, and I think was hugely responsible for the season being viewed as successful because that was how it ended.… But she will always loom as one of our favorite characters, and even more importantly, favorite people that we’ve ever worked with on this show.”

LINDELOF: “What always gives us pause—especially in this instance—is we just love working with Elizabeth. And she always brings it, she always gives more than we expected, and transcends the material. She has always been so gracious and sweet and lovely…. That conversation [in which he and Cuse delivered the bad news] went the same way that the entire relationship did, which is Elizabeth was completely understanding, sweet, and wonderful. And she was bummed, as were we.”

MITCHELL: “I really only thought [the job] was going to be a year. I didn’t in any way think that that character would be liked because I didn’t think of her as a likable person.  I was just in love with her, so that was what was fun.  She didn’t have to be beautiful. She didn’t have to be sexy. She was someone who we really haven’t seen. It was new, it was virgin ground.… [But after season 3], I was told many, many times that they weren’t sure what to do and that they wanted to keep her a mystery.  Which I thought was great, to keep her a mystery.  I’m glad they didn’t go the other way, and make her completely nothing. In many ways a lot of it was just inevitable. [Season 4] wasn’t as exciting as season 3 was, but I was still pretty grateful to be there, to be honest with you.  They’d done a lot for me, so I still felt pretty good about it and I still loved her. Even if I was just walking around in the background, I was still having my Juliet thoughts …. [In a phone call right before the end of season 5, Lindelof and Cuse] said they didn’t have any story left to tell, and they didn’t think there was anything left for her to do… They were very open and honest and kind about it. And they seemed to be sad about it.”

CUSE: “There are so many characters in the weave of the fabric of Lost that at various times certain people get to shine and other people are forced into the background. Juliet’s character had that kind of an arc on the show: She burned brightly, but then we moved on in the storytelling and other things became more important. And it’s always painful. It’s like having a garage full of the most beautiful cars in the world but you only can drive one to work everyday. And it was frustrating for us too because we were pursuing other stories which rose to prominence and hers ended up taking a little bit of a back seat. But Damon and I came to a place where we came up with a fantastic ‘ending’ [for Juliet]. And ending is in quotations, of course, because just because a character’s died doesn’t mean that their story’s over on Lost.”

LINDELOF: “Juliet basically birthed season 6 by the actions that she takes in the final seconds of season 5. She is completely responsible for the end game of the show. So the character is going to be seen in a slightly different light this year. We gave her that action for a reason, and that’s because she’s so important to the fabric of the story.”

On later being asked to return in season 6:

MITCHELL: “The only thing I could think of was that she gets to beat the c-r-a-p out of Ben [laughs]….  I was like, ‘I think I’m going to be really busy.  But I’m so in love with this character, it’s not like you have to twist my arm. So, thank you.’ It was just a complete rollercoaster of [emotions], though, because I had already said goodbye.”

On what we should expect when we see Juliet again:

MITCHELL: “It’s probably exactly what you expect, but because it’s Damon and Carlton, you know they’re just going to turn it on its ear.”

source : EW

source : http://nymag.com

Here is another little spoilery tid-bit for you to chew on.

The twittersphere is swarming with LOST hints tonight.  Check this one out from @NinjaNate:

Ooooo, and where did the lucky Nate meet L. Scott Caldwell, better known as Rose?

That’s right.  LAX.  Now, seeing an actor at LAX may not seem like confirmation of anything.  Well, I can exclusively confirm that, yes, L. Scott is on her way to Hawaii to film.  I pinged a few wires that lead out west and received rock-solid confirmation that the actress was indeed on her way to Hawaii to film.  No word on where she is filming though, so we’ll just have to hope that the usual bunch of eagle eyed spoiler hounds turn up a snapshot or two.  I’m told she is not expected to work more than a day, but for the full extent of her involvement in the episode we’ll just have to wait til next year.

This pic made its way to me via twitter user @PhotoLuluTV, and at first look it might appear to be a mundane set-up.  I’ve enlarged the interesting parts.  Here is a bit of information for you.

First off, yes – that is Hurley’s Hummer.  Behind it is Locke’s wheelchair accessible van, as Ryan from TheTransmission reported yesterday.

So what is going on here?  Is Locke visiting an old friend?  Are the 815r’s just starting to coalesce, with no memory of their adventures on the island?  And, where are they?  Mr. Cluck’s corporate headquarters?  Discuss.

Technorati Tags: spoiler

That’s too bad, because it would take a genius to figure out what’s going on in Lost! Production has begun in Hawaii, are you privy to what’s happening in the season premiere?
I’ve read scripts for up to Episode 3. It sort of picks up, as always, where it left off, but then it jumps all over the place. We get very excited to pick up the scripts and read them and they’re still as confusing and baffling as ever. [Laughs] We’re still going, “What the hell is going on now?”

Is it a different atmosphere on set now that it’s the last season?
Most of the [cast] are making plans to move back to the mainland. I think there are only a couple people contemplating staying in Hawaii. I’m thinking about staying in Hawaii. My children are in school and to pull them out now would be tricky. We really love life here. One of the best things about Lost is I got to live in Hawaii.

With Sonya Walger, who plays Penny, on FlashForward, does that mean there will be even less of Desmond and Penny this season?
I really don’t know what’s going to happen with Penny. And, to be honest, I don’t know what’s going to happen with Desmond either. Are we going to see less of him than last season? I hope not, because we didn’t see much of him and there are a lot of things I’d like to know about him. I think Desmond’s character has become more of a peripheral character. I think now we are zooming to the end and there are a lot of questions that need to be answered…

Do you have a favorite Desmond and Penny scene?
I guess their first meeting—that was kind of fun when she and Desmond are packing up the crates in the monastery. I like that scene.

What Lost mystery do you want solved?
What is the Island and why the Island—that’s the essence of the show. And then there are a thousand little strings we probably won’t get answers to, but I guess that’s life and you can make up your own stuff, so the conversations will go on and on and on.

What’s next, after Lost is done filming?
Nothing at all, so I better start looking.

source : tv guide

“I can only deny,” original cast member Perrineau told TV Guide Magazine about a possible return engagement as the seemingly deceased Michael Dawson – though a resurrection may be just a phone call away.

“Nobody’s said anything to me and I haven’t asked,” said Perrineau. “One of the great things I always thought about Lost is I back up and I let them do the thing that they’re really great at doing. They’re really great and creating drama and creating their show. And this way I don’t have to ask ‘Hey, what’s this? What’s that?’ I don’t ask any questions, I just show up and I let them do what they do. They’re good at it.”

That said, if the producers ring him up, Perrineau’s on the first flight to Oahu. “Of course I would show up! Are you kidding me? That’s my people!” He said he wasn’t sure if Michael could return organically back into the mythology, however. “Only if there’s some way that they’re getting back to all of those original characters that we started the journey with, and if that’s so then that makes sense to me. I don’t know other than that how it makes sense.”

“But then nothing makes sense on the show, so why am I even saying this?” he laughed.

Whatever happens, Perrineau is just as eager as any longtime viewer to find out the answers to the many mysteries Lost has posed over the years. “I still have questions – a ton of questions,” he explained. “I’m curious about how all that’s going to wrap up. There are just tons of things from when we first started that I’m still curious about.”

source : tv guide

Lennon: Scruffy, edgy, charismatic, and slightly stir-crazy, Lennon can be deferential when it’s called for. He’s the spokesperson/translator for the president of a foreign corporation. He’s a wily negotiator, and far more powerful than his lowly position would seem to indicate. Recurring.

If you want to see my prediction of who Lennon is, click here.

Source: Michael Ausiello, EW.com

There’s this thing about women named Juliet: They’re famous for meeting tragic ends. Elizabeth Mitchell’s character on Lost was no different — after finding unlikely love with Sawyer (Josh Holloway), she sacrificed herself to set off a crucial bomb — but luckily, Mitchell’s career has new life after that death. In addition to a mysterious number of additional episodes she’ll shoot for Lost’s final season, she’ll be seen later this year toplining ABC’s reboot of the alien miniseries V.

At Comic-Con, I talked to the actress about Juliet’s journey, the tumultuous period after she learned of her Lost fate (then had it somewhat revoked), and the alien-hunting yet to come.

Congratulations on the smooth transition between Lost and V.
I know! Who would have thought?

How did it go down? When you were told you’d be coming to an end as a regular on Lost, were you immediately offered V by ABC?
Basically, the two things happened within days of each other, which I was very surprised by. And, of course, the decisions were left to people more powerful than me. [Laughs]

But surely you had some input.
Well, V was actually a very personal choice on my account. It was somewhat brought to me, but it was along the lines of, “Oh, and then there’s this.” But I’ve always loved the idea of playing a female protagonist on a sci-fi show. I just like it — that’s the kind of thing I watch. [Gesturing to her husband, seated nearby] Like, we’re huge Battlestar Galactica fans. I think sci-fi is sexy, I think it’s fun. I love watching procedural shows, but I’m not as fascinated by them — not really at all. Being in them and acting in them is not really my thing, so I realized that if I was gonna do [a TV show] again for a long time, I would want it to be fun and incredibly challenging for me, something I’d have to stretch to reach.

So what’s the stretch for you in V?
First of all, the thing that was really fun about Juliet is how still she was, and how she watched everybody. For three years now, I’ve been in her mindset, which is a really unique and bizarre and kind of wonderful place to be and I’ve loved every minute of it. The character I play now [on V] — which I’ll be doing at the same time as Juliet [in future Lost episodes], which is going to be really interesting — is incredibly intelligent but vulnerable at the same time. Her anger and her emotions are far more forthright than mine or even Juliet’s are. There’s an honesty to the way she does things that’s fascinating.

And I think the idea of my character having a son who’s sixteen is gonna be…I mean, I have a son who’s four, and already, I can’t believe the words that come out of my mouth. There’s a thing about motherhood that I have never had a chance to play, which is weird at 39, right? You would think that I’d have played so many mothers by now. [Her husband interrupts: “You don’t look 39.”] Ah, that’s nice. [“Getting there, though,” he adds, as she laughs.]

“I think my mom is happiest about the makeup. She’s like, “You get to wear makeup, you can finally look pretty!””

Are you happy that you have a role where you can wear different clothes, as opposed to Lost, where you’d wear the same thing for multiple episodes?
I think my mom is happiest about the makeup. She’s like, “You get to wear makeup, you can finally look pretty!”

That can be kind of jarring — it’s like when people from Survivor appear on the reunion show, and you’re like, “Why did you put on all that makeup?”
I always feel that way! What I always enjoyed about Lost is that we’re there with almost no makeup on our face, we’re emotionally naked, we’re sweating, we’re hot, and we’re generally pretty disgusting, and the camera catches it. There’s a certain beauty to seeing people the way they are.

Even before this last season of Lost, you talked about how you thought Juliet would probably have a tragic ending.
Yeah, I always figured that she would. I actually had thought that she would end up doing something terrible, but then as it went on, I kind of thought she would end up doing something incredibly noble, which is what she did by sacrificing herself. The character was insanely complex and insanely fun. As she started going more in one direction, I thought, “Well, obviously this is going to come to its natural conclusion.”

Do you mean she finally became happy, and that never lasts long in Lost?
Yeah! Happy and not as complex, do you know what I mean? She and Sawyer had found this kind of peace that I fought very hard against and Josh fought very hard against, and we were so wrong, which is really nice. When I watched it, I liked it, and I don’t usually like anything I do.

“I had always liked Sawyer with Kate! I mean, not to be a fangirl — which I am — but I just really actually liked them together.”

Why didn’t you think it would work?
Well, I had always liked Sawyer with Kate! I mean, not to be a fangirl — which I am — but I just really actually liked them together. I liked their chemistry, their passion. What I didn’t anticipate is how Josh would play it and how he made it so honest and so happy and so real. When I was watching him, I was like, “That’s why that relationship works.”

Were you worried about incurring the wrath of your fellow fangirls?
I mean, I came on the show incurring that. I immediately hooked up with Jack and they were like, “Uhhh, no!” [Laughs] So I wasn’t as worried about that — I think as an actor, if you’re worried too much about people liking you, then you don’t really get to play the character so much. It’s not that it’s not great when people do like you or love the character or any of those things — it’s the most amazing thing ever to have that — but if I went into it thinking something like that, I don’t think I could have done it.

This year, though, the fan approval for your character and her relationship with Sawyer seemed to shoot through the roof.
Yeah, it was surprising.

Do you think it’s partially because audiences started trusting Juliet? During your first two seasons, it never seemed like she laid all her cards on the table, but this year, she felt complete.
We finally felt like we kind of knew everything [about her]. Every time something would come up before, she always had a wealth of new information and you kind of got the feeling that she shared it when she needed to.

On a show like Lost, was it a nice thing to think, “Oh, I think I finally know everything important there is to know about my character?”
I think I didn’t, because I have this crazy active and oddly weird little mind that tries to find all the wiggle room in places, so I think that I was still going through all the ways that things could be more complicated than it was. And when it turned out to be very simple, I was very happy. I was happy watching it more than I was playing it.

It’s funny that you began your tenure on the show sharing scenes almost exclusively with Matthew Fox and Michael Emerson, and you finished by sharing them almost solely with Josh Holloway.
I was very, very sad — and I hope that it’s rectified — that I didn’t have a final scene with Michael Emerson. I thought that built to a crescendo that then just died. There was a reason for that, but as an actor, that was hard for me because I just loved him so much. The same thing happened with Jack and Juliet — they got to a certain point and then they disappeared. But I love the fact that [the writers] do their thing and kind of just write whatever they want. It’s great.

“As an actor, they asked us to sign all this confidentiality stuff and I don’t think we ever did, so it really comes down to the moral question of, “Who are you loyal to?””

Obviously, when you started shooting V before the season finale of Lost aired, speculation began that Juliet would be killed off — so much so that you were being officially billed as a “special guest star” in V, even though ABC has now confirmed you play the lead. Were there machinations involved to try to keep all that secret?
There were some machinations, but the thing that’s so fantastic about Lost is that they tend to keep things mysterious. I mean, I literally don’t know what’s going to happen and no one else does, and that’s what’s fun about it. As an actor, they asked us to sign all this confidentiality stuff and I don’t think we ever did, so it really comes down to the moral question of, “Who are you loyal to?” And where I’m finally loyal to always is the work. It’s more fun for me when people don’t know what’s going to happen.

I mean, the thing about Lost is that you may say, “Well, Elizabeth’s on V now, so we’ll never see her on Lost again,” but that’s probably not the case. As it is, it’s a complete surprise, and anything that happens further on in the series is a complete surprise, and I wanted that to be the case. When Lost is over and V is over, then we’ll have to have a big chatfest and talk about everything and that’ll be great, but for now, I was very happy that no one was saying anything one way or the other. One thing happened with Lost, and then another thing happened with V, and then something [else] happened with Lost…

You mean, they came back to negotiate for additional episodes after you booked V?
It’s been a rollercoaster, yes.

So originally, you didn’t know you’d be coming back to Lost?
I didn’t know what was going to happen. They also said that they didn’t know either, at the time. It happened in three weeks, it was just crazy…When V came up and everything happened that happened, it was at the very, very end [of the season]. No warning, kinda. [Laughs]

When you do your additional episodes next year, you won’t be a regular anymore, which means that these scripts will sort of exist in a context-less vacuum for you. Are you afraid that you won’t have any idea where your scenes fit into Lost lore when you film them?
No, I trust those guys. I trust those guys to write beautifully. The way they write those characters and scenes and emotions, it’s very wise to trust in their words.

source : http://www.movieline.com

The exec producer of Ian Somerhalder’s new CW series, The Vampire Diaries, is close friends with Lost exec producer Damon Lindelof. So when he’s not sucking blood in the South, Ian may reappear on the island as Boone. While apartment hunting in Atlanta, where Diaries shoots, with his new on-screen vampire brother Paul Wesley, Ian tells me, “I’ve heard a little bit about what’s happening this season on Lost, and there’s definitely an avenue they’re going down to bring back a lot of us.”

Any crossover [with] Lost would “only help the success of our show…as long as it’s not screwing up production,” Ian says. So what if Boone, Shannon, Charlie and the rest of Lost’s “living dead” turn out to be vampires? “That would not be good,” says the actor, who currently lives around the corner from Maggie Grace (Shannon) in Venice Beach. “There are already enough vampires flying around the airwaves. If we can keep it at True Blood, Twilight and Vampire Diaries, the world will be better off!”

source : tv guide

“It’s the end and I think we are going to start seeing more casualties. I would put money on major characters being killed. I believe it will be a sad ending to the show — or at least bittersweet. I think it will definitely be a series finale for grown-ups.”

“I killed Jacob… maybe…probably,” he hedged. “It isn’t like we haven’t seen plenty of other people be killed and somehow come back. And what does it mean if I did kill him? Who the hell was he anyway? Obviously, Ben wanted a father. So much of our show is about bad fathers. It is one of our biggest themes. And Jacob disappointed in those final moments. And maybe Jacob made it easy for him. Maybe that was all meant to happen. Is it all ordained? Maybe. And for that matter, can Jacob even be killed? Stay tuned is my response.”

source : ausiello at EW

1) He knew that in that Jack and Locke would have to go head to head quite a bit in Season 6. Now if he is talking about the real Locke or Darth Locke who knows? At least we will get a good dose of Terry O’ Quinn.
2) The opening scene in Season 6 will confirm what happened in the Season 5 Finale and that it will be both confusing and surprising at first.
3) About a third of the way through the season both time lines will be “solidified into one time” and there will be one linear time throughout the story on the island with no more flashbacks.
4) When describing the end of the show he uses several different adjectives and confirms talking to Damon Lindelof many times and that each time he does that it is surprising that it is so “moving”. Some of the words he uses are Beatiful, Redemptive, Sad and ends with saying it is just Awesome!

“Any scenario that brings Claire back to Lost must address the mysterious circumstances of her disappearance at the end of season 4, in which many of us were led to believe that she was as dead — or rather, undead — as the Ghost Christian that’s been haunting The Island since season 1. So here’s one thought: Juliet changed time in the season finale by detonating Jughead, and season 6 will tell the story of the new timeline, one in which Claire is alive. Another thought: In light of the revelation that John Locke was actually a supernatural impostor for half of season 5, perhaps in season 6, we’ll get a storyline in which Claire just emerges out of the jungle, with no memory of what happened to her — just like season 1 — and we and the castaways will be left to wonder: Is this the real Claire or another impostor infiltrating them a la Locke? Heck, maybe that’s going to be the major idea of next season: Who’s really alive and who’s really (un)dead? It really will be the fabled zombie season of Lost!” Thanks a million, Doc!

source EW

Lost masterminds Damon Lindelof and Carlton Cuse have been dropping hints about how the show will end next spring.

Among the mysteries unravelled in the very last episode will be the significance of the four-toed statue, what the Smoke Monster really is and who the skeletons in the cave were.

(We reckon Egyptian fertility goddess Taweret, conscience and Penny & Desmond respectively, for what it’s worth!)

Says Cuse: “The end of the show will be a combination of trying to answer mysteries the audience still cares about, such as the statue and the Smoke Monster.

“We’ll also be answering the skeletons in the cave question. We will answer the questions we feel are important and central to the plot.

“At the same time we will be trying to tell redemption stories about the characters. These characters do indeed have a destiny.

source : http://www.sundaymercury.net